This approach interprets the lines of the play as a series of self-contained utterances, called tone groups, rather than according to the metrically regular lines of the traditional texts. This study presents an experimental approach to the rhythmic and semantic interpretation of the text of the Persians. The aetiological purposes of the drama are highlighted in the choral ode 524–99. The first half of this draft is now revised and updated as part of this publication: Abstract: While just as hypothetical as the other alternatives, an alternative reconstruction of the trilogy is possible in which Danaus is cast in the role of hero rather than villain, helping to justify the crime of the Danaids as an act of self-defence, legitimize the change of regime in Argos in the finale, and construct an aetiology of the "Danaan people" that would be palatable to the contemporary Greek audience. I ask that any reader who might study the material forgive the typical deficiencies of a work in progress, not least the absence of relevant citation, which should not be interpreted as disparagement of the works overseen. The draft introduces novel ideas with regard to the hypothetical reconstruction of the trilogy and individual features of text and meaning. Seeing that the completion of this work, a full edition with commentary, is not to be expected for some years, I make this excerpt public here. Firstly I will present the differential traits of this approach, and briefly remember the character of the most representative stichic verses. I shall try to show how the structural approach that I have applied to stichic verses may be satisfactorily projected into Lyric periods. While stichic verses present a fixed structure, are composed of M- and D-components in perfect alternation, are never isosyllabic, belong to a single rhythm, end in a D-component, and appear in runs of the same structure, Lyric periods present a free structure, only M-components are obligatory, are usually isosyllabic, often present two rhythms, end with a long-M, and appear in groups of different periods, which compose stanzas of the same structure. Shared taxi Oststeiermark SAM: HF5111, reservation at +43 50 36 37 38 or ISTmobil.On the basis of three linguistic features of Greek metre: syllabic quantity, synapheia and components, I state the similarity between stichic verses and Lyric periods, and I define the general structure of Lyric Periods and the differences between them and the stichic verses.
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